Thursday, May 23, 2013

Interview & Giveaway with M.L. Brennan (author of the vampire thriller Generation V)

Good morning, all!

Stopping by to join us today is M.L. Brennan, author of the vampire thriller Generation V. One lucky reader will get a chance to win a signed copy of the book (details below) but, before we get to that, let's get talking . . .


Q: Thanks for taking the time to stop by today.

A: Thank you so much for having me!

Q: For those who may be new to your writing, and who haven't yet had a chance to give Generation V a read, please tell us a little about yourself.

A: Sure! I’ve always been a huge reader in science-fiction and fantasy, and one of the genres that I’ve really enjoyed in the last few years is urban fantasy. Generation V is my first published book, and it’s an urban fantasy that I really hope will offer readers in the genre both a lot of the things that they enjoy (mystery, fights, strange creatures, and witty repartee), but also bring in a few elements that aren’t as common. My main character, Fortitude Scott, is a vampire, but I’ve made some pretty major changes and alterations to the vampires in my books – I can promise everyone, these aren’t your usual vampires. I’m also bringing in a character named Suzume who is a kitsune, which is a Japanese shapeshifter fox.

One of the biggest ideas that I had when I was planning this book was that I didn’t want a hero who was the biggest, baddest, and most powerful character. I didn’t want the bad guys to be scared when he walked into the room, or for people to be saying things like, “Oh, but he has the Mystical HooDoo! None of us can stand against the Mystical HooDoo!” So at the beginning of Generation V, Fort is a guy who no one is scared of – and when he’s going into the big battles and confrontations, he is massively outgunned and overmatched – but to me that made him a more interesting character, because he has to outwit a villain, or work on bringing in other allies to help tip the scales. It makes him work harder as a character, which also made him grow and evolve more than if he could just wave a hand and win a fight.

Q: The journey from 'aspiring' to 'accomplished' can be a long one, even in the era of small presses and digital publishing. When did you begin writing, and how did you feel when you first saw your work in print?

A: Writing and making up stories was always something that I enjoyed doing, but I didn’t really become serious about it as a craft and a profession until I was in college. What I consider my first real experience of seeing my work in print was the first time it was published by people I had never met and had no prior connection to – that was in my senior year of college, when one of my short stories was published by a literary journal. It was a great experience – I’d gotten a lot of form rejection letters and worked extremely hard to get to it. One of my professors got me a bottle of wine to celebrate.

I probably spent about ten minutes just enjoying the moment – and then I was immediately thinking about getting published again, but this time I wanted it to be in a bigger journal with more readership.

Q: Given its rather diverse evolution (or, perhaps, dilution) over the past decade, what was it that compelled you to contribute fresh blood to the vampire genre?

A: I really enjoy vampires in books, film, and TV, but in a lot of storytelling the vampires are a fairly static character. Here you have this immortal undead creature who will never age or change, just kind of brooding through an endless existence – usually the change to the situation comes with the introduction of a human love interest, or a werewolf battle, or something along those lines. All the change is external, because the vampire character itself has no real desires or pressures – why worry about something or want something when you are exactly the same as you were a century ago, or will be in another two centuries? So something that I was really interested in doing was having a vampire be a dynamic character – one that actually is capable of internal change and movement without that change being dependent on an outside character.

This required a pretty big change – the vampires I created aren’t undead. They are a separate species that has a lifecycle, an aging process, and a reproductive system. Fort is a young vampire – but someday he’ll be an old vampire, and will eventually die. That means that he has a finite time (albeit a much longer time than a human) to achieve his goals and desires. He also has a family with their own expectations of what his life will be like. And as soon as I’d made these changes, I had a ton of ideas for where this character could go.

Q: Definitely an interesting approach, and one with a wealth of potential.

In terms of writing, what comes easiest for you, and where do you struggle the most? Is it the title? The first paragraph? The last chapter? The cover blurb?


A: The easiest part for me is usually about the last third of a book. If I’ve done everything right, then all the groundwork has been laid for where I want to go, and it goes pretty quickly. I also really love that portion of the book, because usually most of the really big, iconic moments that I’ve been thinking about and planning for months are in that portion, and I finally get to write them!

I loathe writing the cover blurb. It’s probably the part that I hate the most about the process, and it takes me days. I’m horrible at distilling down the entire book into a few pithy sentences. The only thing I hate even more than writing a description of the book is putting a title on it. I’m terrible at titles – I went through about three different bad ones before my editor finally came up with Generation V –  my versions were so bad that I’m not even going to mention them!

Q: Aw, shucks? Not even one? Not even for laughs? :)

Sometimes, characters can take on a life of their own, pulling the story in directions you hadn't originally anticipated. Were there any twists or turns in Generation V that surprised you, or really challenged your original plans?

A: I think the biggest surprise I had when I was writing was when I introduced the character of Suzume Hollis, the kitsune. I’d planned out ahead of time that she and Fort would have a challenging relationship that would eventually start maturing into mutual respect and the start of a friendship, but what I hadn’t counted on was just how incredibly well the characters played off of each other and interacted. Suddenly a scene that on my plan was just “get out of car, start hunting” and that I figured would be barely half a paragraph of exposition would turn into a page-long dialogue with banter and practical jokes. It was a wonderful surprise.

Q:  Do you have a soundtrack to your writing, a particular style of music or other background noise that keeps you in the mood, or do you require quiet solitude?

A: I go through phases. Sometimes I’ll work for a few weeks in complete silence, but other times I’ll want background music. But the music is just to provide background, not mood – Mumford & Sons, The Killers, P!nk, Dixie Chicks, Florence and the Machine, even a little Springsteen (I had Live In Dublin going for a while at one point). Usually I like music that has some energy to it. Sometimes I also use music as a way to keep myself working when I’m close to a deadline – when I was writing the original draft to Generation V’s sequel, Iron Night, I started putting on a YouTube clip of Swan Lake in the background. I wouldn’t let myself stop writing until Swan Lake was finished – that would keep me on task for just over three hours.

Q: Hmm, I suspect 3 hours of Swan Lake would drive me quite mad, but I can see the motivational factor. LOL

In terms of reader reactions, what is the strangest or most surprising reaction to your work that you've encountered to date?

A: There are things in the book that I thought would get big reactions, but almost no one comments on them, whereas elements that I didn’t even think about much have gotten a lot of focus. It’s really fascinating to see how such wide and varied readers react to my book, and it’s also a great learning experience.

In terms of the most surprising, though – it’s definitely seeing my friends and family react to seeing my work actually in stores. It cracks me up to hear how shocked they sound when they read a few chapters and then say, “Oh, you’re actually good!” I’ve always had a policy where I don’t show my work to my family until it’s actually published, so I didn’t realize that most of them probably privately thought that I was a terrible writer, since I was never showing anything to them!

Q: To turn from pen to page for a moment, is there a particular author who has influenced or inspired your writing? Somebody who either made you want to write in the first place, or who just refreshes your literary batteries?

A: When I’m in the serious writing phase of a book, there’s usually about a one to two month period where I’m just focused on the manuscript and getting as much written per day as possible. It’s pretty exhausting, so I’m usually not reading any new books, just old favorites. Sharon Shinn’s Troubled Waters is so amazing and beautiful with its world-building and its characterization – I can just pick it up and read a dozen pages anywhere and feel better. I also love Terry Pratchett’s Going Postal – it always makes me laugh. Anne Bishop, Sheri S. Tepper – both great, great writers. Finally – I defy anyone not to read through one of Neil Gaiman’s Sandman books and not feel ready to write!

Q: Pratchett is always a lot of fun - one of the few authors who can so deftly juggle story and humor.

It’s a tough question, especially if you’re wary of putting faces before your readers, but if Generation V were being made into a movie, and you had total control over the production, who would you cast for the leading roles?

A: Madeline is my vampire matriarch – she’s deceptively grandmotherish and sweet, but is actually completely calculating and deadly. I would cast Betty White in that role – she would be amazing.

Q: Before we let you go, what can we look forward to from you next? Is there a project on the horizon that you're really excited about?

A: There actually is – the second Fortitude Scott book, Iron Night, will be published in January 2014. I’ve had so much fun writing about Fort, and the book brought a lot of exciting elements together. I can’t wait to see it in print.

Thanks again for having me, and for the really fun questions!

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About the Book

Reality Bites
Fortitude Scott’s life is a mess. A degree in film theory has left him with zero marketable skills, his job revolves around pouring coffee, his roommate hasn’t paid rent in four months, and he’s also a vampire. Well, sort of. He’s still mostly human.

But when a new vampire comes into his family’s territory and young girls start going missing, Fort can’t ignore his heritage anymore. His mother and his older, stronger siblings think he’s crazy for wanting to get involved. So it’s up to Fort to take action, with the assistance of Suzume Hollis, a dangerous and sexy shape-shifter. Fort is determined to find a way to outsmart the deadly vamp, even if he isn’t quite sure how.

But without having matured into full vampirehood and with Suzume ready to split if things get too risky, Fort’s rescue mission might just kill him.…


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About the Author

My first novel, Generation V, is coming out in May 2013 from ROC Books, and is a work of urban fantasy.

I cut my baby bibliophile teeth on my older brother’s collection of Isaac Asimov and Frank Herbert, but it was a chance encounter with Emma Bull’s War For The Oaks as a teenager that led to genre true love. Today, I’ll read everything from Mary Roach’s non-fiction to Brandon Sanderson’s epic fantasies, but I’ll still drop everything for vampires and werewolves in the big city.

I hold an advanced degree in the humanities, and I am work as an adjunct professor, teaching composition to first-year college students. I am currently hard at work on the second Fortitude Scott book, Iron Night, which will be published by Roc in January 2014.

On the Web - http://mlbrennan.com/
On Facebook - http://www.facebook.com/ml.brennan.7
On Twitter - @BrennanML

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Wednesday, May 22, 2013

Vegan Zombie Apocalypse by Wol-vriey (REVIEW)

Vegan Zombie Apocalypse by Wol-vriey
Paperback, First, 322 pages
Published April 16th 2013 by Burning Bulb Publishing


Synopsis:

Fear not mankind, the omniscient God Necro proclaims that your tasty brains will be safe from the ravenous undead during the impending zombie apocalypse. Unfortunately for most of you, however, the enlightened zombie hoard plans to herd you like cattle on their potato plantations and use your fertile bodies to grow their specialized blood veggies.

Only by prostrating yourself before the Great Necro can you join forces with other faithful necros and defend humanity from the ever encroaching zombie invasion. But it won’t be easy, especially if you’ve just escaped from the vegfarm – and you already have the cattle brand on your forehead and the telltale potato vines sprouting from your body.

Bounty-hunting zombinators, flying cleaver-laden helicopters and cockrockets, will soon be hot on your trail as you race toward the Promised Land and the sanctuary that is known as the Republic of Texas.

Not only is “Vegan Zombie Apocalypse” one of the most bizarre stories ever conceived, but its universal appeal should extend far beyond its bizarro fan base. Enthusiasts of Science Fiction, Fantasy and Horror, and especially zombie fiction lovers, should relish this book, even though it ventures into the dark realm of the extraordinarily grotesque at times… many times actually.



Review:

The world in Wolvie's mind, population Zombie. He does it again - Wol-vriey drops a zombie story without the boring "eat brains" cliché. Instead we have Vegan Zombies who feed on blood potatoes, grown in Vegfarms.

As the story unfolds, a multikey is stolen, and the even more bizarre comes into play. Zombies with zippered private parts, doors in the shape of female sexual organs, sex with maggots, and even a Humansauras.

Fans of Wol-vriey will be struck again with wonders and new readers . . . I suggest you hang on for one hell of a ride.


(as posted by Donald on Goodreads)

Waiting On Wednesday - Grimm: The Icy Touch by John Shirley

"Waiting On" Wednesday is a weekly event, hosted by Jill over at Breaking the Spine, that spotlights upcoming releases that we're eagerly anticipating.

This week's pre-publication "can't-wait-to-read" selection is:

Grimm: The Icy Touch by John Shirley
Nov 5, 2013 (Titan Books)

Portland homicide Detective Nick Burkhardt discovers he is descended from an elite line of criminal profilers known as "Grimms", charged with keeping balance between humanity and the mythological creatures of the world.

No official cover blurb as yet, no indication whether the novel will be a 'mythology' tale or a 'monster of the week' story, and no way to tell whether it's a 'lost' adventure from the first 2 seasons or something set in the upcoming third season, but with season 2 wrapping up on a cliffhanger last night, any new Grimm is good Grimm . . . no matter how long the wait!

Tuesday, May 21, 2013

Burning the Middle Ground by L. Andrew Cooper (REVIEW)

"A character-driven sensibility like Stephen King's and a flair for the bizarre like Bentley Little's delivers."

There you have it, the single line in the cover blurb for Burning the Middle Ground that absolutely demanded I give it a read. Yes, the mention of religious conspiracy, supernatural mind control, and bodies with the eyes and tongues removed certainly caught my eye, and the overall story line sounded intriguing, but it was with the promise of a King/Little mash-up that really got me excited.

While I wouldn't go so far as to call L. Andrew Cooper the next King or Little, at least not based on his debut, I can definitely see the influences in his writing. Like King, he presents us with a largely character driven tale, set in a small town, where dialogue tells a significant piece of the story. Ronald Glassner, the opportunistic journalist, is a great character - someone with whom we can identify or relate, but with a darker, selfish (or perhaps self-serving) edge that we'd rather not admit exists within ourselves. Brian McCullough is a great sympathetic character, a young man who has experienced an unimaginable tragedy, and who simply cannot let go of the past, or his quest for answers.

The various inhabitants of Kenning, with whom we come into contact through the novel, are largely of the stock variety, but given enough personality to keep them distinct and alive in the reader's mind. As for the villains of the piece, it's hard to say much about them without getting into spoiler territory, but Jake Warren could definitely have slipped, crawled, and slithered is way out of Cooper's second source of inspiration. Everything about the man, particularly his creepy hypnotic charm, is just so well-suited to one of Little's tales.

Where I found Cooper hasn't quite nailed the technique of the masters is in his pacing. This a good book, an exciting story filled with interesting characters, but there is a lot of history and back-story that need to be imparted for it to work. King generally does back-story in snippets and flashbacks, teasing us with the significance of it all, while Little tends to lean on grandiose speeches and scenes of exposition, dropping a bomb of revelations upon us. Here, Cooper interrupts the flow of his story for an extended middle piece that shifts the focus of the story in terms of characters, plot, and feel. It's interesting enough on its own, but oddly placed, and too long for what it's intended to do.

Overall, despite the fiendishly malevolent touches of Little-inspired evil throughout the novel, this is less his brand of over-the-top horror, and more King's brand of subtle, unsettling, dread. It plays out very well, carried along, not just by the characters, but by the 'feel' of the small town. It's a very down-to-earth story, in many respects, driven by human emotion, interaction, and need. Most importantly, it's a story that raises a lot of questions as to 'how' and 'why' throughout, and which largely delivers on the answers. A great horror novel lives or dies by its resolution, and Cooper does a fine job of providing the pay-off to his tale.

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About L. Andrew Cooper:
L. Andrew Cooper thinks the smartest people like horror, fantasy, and sci-fi. Early in life, he couldn’t handle the scary stuff–he’d sneak and watch horror films and then keep his parents up all night with his nightmares. In the third grade, he finally convinced his parents to let him read grownup horror novels: he started with Stephen King’s Firestarter, and by grade five, he was doing book reports on The Stand.

When his parents weren’t being kept up late by his nightmares, they worried that his fascination with horror fiction would keep him from experiencing more respectable culture. That all changed when he transitioned from his public high school in the suburbs of Atlanta, Georgia to uber-respectable Harvard University, where he studied English Literature. From there, he went on to get a Ph.D. in English from Princeton, turning his longstanding engagement with horror into a dissertation. The dissertation became the basis for his first book, Gothic Realities (2010). More recently, his obsession with horror movies turned into a book about one of his favorite directors, Dario Argento (2012). He also co-edited the textbook Monsters (2012), an attempt to infect others with the idea that scary things are worth people’s serious attention.

After living in Florida, South Carolina, Georgia, Massachusetts, New Jersey, and California, Andrew now lives in Louisville, Kentucky, where he teaches at the University of Louisville and chairs the board of the Louisville Film Society, the city’s premiere movie-buff institution. Burning the Middle Ground is his debut novel.

Website/Blog: Website and Blog

Facebook: Facebook

Google+: landrew42

Twitter: Twitter

Saturday, May 18, 2013

Artifacts of the Niagara Gorge - A History of Human Folly

It's been a while since I've done much photography, but it's also been a while since I've wandered off the beaten path to find something new. Well, today was just such a day, with a morning hike down into the Niagara Gorge.  I didn't go down with any particular purpose or plan in mind, but once I'd taken the first few photos of man-made ruins scattered amid the beauty, I knew I was onto something



It started innocently enough with a cast-iron post and a fence gate. The first had clearly been there for sometime, and likely once served a purpose, but the gate was new.

And then I found the car, one I don't recall having stumbled across before.





For the next little while, it was just some random debris, all of it weirdly out of place within the beauty of the Gorge.






It was the old cable and pulley that caught my eye and dragged me farther off the makeshift trail than I had planned.



Which brought me to the old motorcycle, probably the most unique bit of wreckage I've found in many a year.





After that, mostly just another random collection of rust and ruin, nestled within the greenery.





And, finally, ending with one of the saddest, most nostalgic bits of debris down in the Gorge. When I was a kid, this was still a recognizable safe, sealed shut against the ages, and a target for my imagination. For the better part of ten years I would drop a couple of big rocks on it every time we hiked by, try the handle, and move on, defeated again.


At some point, the trickling steam rotted its way through the underside, making it top-heavy enough to tumble about 20 meters down the incline. It's hardly recognizable today, but every time I see it, I see that old safe, full of - to my young imagination - untold riches.

Friday, May 17, 2013

Tim Curran's Worm - a crazy, claustrophobic tale of gruesome horror (REVIEW)

Taking place over a single day, in a single stretch of neighboring houses, on a single suburban street, Worm is a crazy, claustrophobic tale of gruesome horror that hearkens back to the days of 1950s b-grade horror movies, re-imagined through the lens of contemporary torture-porn. It's a hell of a lot of fun, a story that wastes no time in getting to the good stuff, and which never lets up, yet somehow managing to maintain its terrifying gore-splattered intensity through to the final page.

Tim Curran is clearly an author who has seen and enjoyed his fair share of monster movies - Tremors most immediately comes to mind - but one who understands that the monsters themselves are only part of the horror. If you really want to bring the horror home, then you allow the monsters to upset the normal, everyday, domestic comforts we so easily take for granted. Let them worm their way (pun intended) into our lives and our homes . . . let them inconvenience us, incapacitate us, and invade the very place we should feel most comfortable . . . and the sense of inescapable dread becomes immediately familiar to the reader.

The true horror of Worm begins with exploding lawns, overflowing toilets, backed-up sinks, and flooded streets. Before long, greasy, slippery, excrement-like worms begin emerging from toilets, sinks, drains, and faucets, wiggling and bubbling their way up from beneath the earth. Just as you're beginning to wonder just how scary a worm can be, the first of them coils up, opens its ravenous maw, and then launches itself forward, tearing through flesh and bone as easily as bathroom doors.

If you're sitting there right now, stuck with a mental image of just such a beast launching itself up from the toilet bowl while you sit above, rest assured that we do indeed go there, exploring the horror of being eaten alive, from the inside, by a horror you never saw coming.

Of course, it takes more than just monsters to sustain a story, and Curran populates the houses of Pine Street with a small cast of well-drawn characters to add a human element to the tale. We fear, we suffer, and we fight alongside them, watching helplessly as friends, family, and neighbors succumb, one after another. It's a largely hopeless situation, and even though you know it's only destined to get worse, once the survivors assemble, you can't fault them for wanting to make a last stand.

It's there, in the last stand, that Curran pushes his tale over the top. We've already seen an unfathomable depth of horror and gore by that point, and it's easy to become a bit desensitized to it all. I won't spoil just how he accomplishes it, but Curran manages to arrange a final confrontation gleefully that surpasses the horrors that have come before.

Like I said, a hell of a lot of fun, and well worth the read!



Published May 14th 2013 by DarkFuse
ebook